Jonkheer Jan Willem Six 1824–1909 (Dutch Nobleman)


A 1596 Dutch War Pamphlet from the Six Family Library

Among the many printed traces of the Eighty Years’ War, few survive with both the immediacy of contemporary news and the distinguished lineage of a patrician library. The Cort Verhael vande groote en heerlickte Victorie…, printed in Amsterdam in 1596, is one such example. It reports the AngloDutch assault on Cádiz in the summer of that year, a moment of triumph eagerly consumed by readers across the Republic. Yet this particular copy carries an additional layer of significance: it once formed part of the celebrated Six family library, housed for centuries in the stately residence on the Amstel known as Het Huis Six, and bears the engraved bookplate of Jonkheer Jan Willem Six (1824–1909). The pamphlet thus stands at the intersection of early modern news culture and the long intellectual tradition of one of Amsterdam’s most influential families.

 

The Complete Dutch Title and Its English Rendering

“Cort Verhael vande groote en heerlickte Victorie, die den Almachtigen Godt verleent heeft aen de Armade van Engelant, met de geluckige nederlaech van de Spaensche Galeyen, Galleonen, Pinassen ende andere machtige Schepen in de Bay van CalesMalaga, ende de inneneminghe der Stadt ende Bruggen daer, mitsgaders andere Steden ende Plaetsen daer ontrent”.

“A Short Account of the Great and Glorious Victory that Almighty God Granted to the Armada of England, with the Fortunate Defeat of the Spanish Galleys, Galleons, Pinnaces and Other Powerful Ships in the Bay of CádizMálaga, and the Capture of the City and Its Bridges, Together with Other Towns and Places Nearby”.

 

A Contemporary Account of the Cádiz Expedition

The pamphlet itself offers a remarkably immediate account of the events of June and July 1596. It describes the destruction of Spanish galleys in the Bay of Cádiz–Málaga, the storming of the city, the seizure of the New Spain fleet, and the panic that spread across Andalusia as English and Dutch forces advanced. The narrative is based on reports brought back by Dutch and Zeeland sailors who had been in Sanlúcar and other Spanish ports, and it preserves the tone of urgency and triumph that characterized Dutch printed news during the Eighty Years’ War. Pamphlets of this kind were printed in small numbers and rarely survived; their preservation depended almost entirely on early collectors who recognized their historical value.


The Six Family Library at Het Huis Six

For centuries, the Six family maintained their library within their residence on the Amstel, a canalside house that became known as Het Huis Six. This elegant home, situated near the Magere Brug, served not only as the familys living quarters but also as the repository of their art, archives, and books. The library grew steadily from the seventeenth century onward, shaped by generations of collectors who valued the printed and artistic heritage of the Dutch Republic. By the nineteenth century, when Jan Willem Six oversaw its care, the library had become a respected centre of Dutch cultural memory, frequently consulted by scholars and bibliographers.


Jonkheer Jan Willem Six and His Role as Custodian

The engraved Ex Bibliotheca J. W. Six identifies the former owner of this pamphlet as Jan Willem Six, a nineteenthcentury descendant of the famous Jan Six (16181700), the friend of Rembrandt. Jan Willem inherited not only the family name but also its intellectual responsibilities. He was known for his interest in Dutch history, early printed works, and political ephemera, and he played a central role in organizing and expanding the library during his lifetime. His bookplate is therefore more than a mark of ownership; it is a sign that the pamphlet passed through a collection shaped by centuries of careful stewardship.

There is a quiet irony in the fact that Jan Willem Six (1824–1909), a man who spent his life preserving the cultural memory of his ancestors, left behind no known portrait or photograph of himself, while his greatgreatgreatgreatgrandfather Jan Six (16181700) is immortalised in one of the most celebrated portraits of the Dutch Golden Age. Rembrandt captured the elder Jan Six with extraordinary intimacy and psychological depth, ensuring his face would be recognised for centuries. Yet the later Jan Willem, custodian of the family library and guardian of that very legacy, remains visually anonymous. The lineage that preserved Rembrandt’s masterpiece with such care somehow allowed the image of its own nineteenthcentury steward to slip quietly into obscurity.

 

From Private Shelves to the Wider World

Although the Six family preserved their library with great care, dispersal of certain materials occurred gradually over time. After the death of Jan Willem Six in 1909, parts of the collection were reorganized, and pamphlets being small, numerous, and often duplicated were among the items most likely to leave the house. When the Six Foundation was established in 1922, its focus rested primarily on safeguarding the family’s art collection, not the entirety of the book holdings. It is therefore unsurprising that individual pamphlets entered the market during this period of transition. The manuscript note on the wrapper, “niet by Knuttel,” suggests that this example was recognized early as a variant or unrecorded edition, which may have contributed to its movement into private hands.

 

A Rare Survival with a Distinguished Provenance

The Cort Verhael is a rare survivor of the Dutch Republic’s early news culture, a concise but powerful record of a pivotal naval victory. Its preservation within the Six family library at Het Huis Six, under the custodianship of Jan Willem Six, adds a dimension of cultural and historical depth that few pamphlets of this kind can claim. In combining textual rarity, historical immediacy, and elite provenance, this copy stands as a remarkable artifact of the Dutch Republic’s printed heritage and a testament to the enduring legacy of the Six family.



Text Sources:

Cort Verhael vande groote en heerlickte Victorie… (Amsterdam: Aelbrecht Heyndricksz, 1596).

Formerly in the library of J.W. Six (1824–1909), with his engraved exlibris.

 Pieter Bor, Oorsprongk, Begin, en Vervolgh der Nederlandsche Oorlogen (various editions, 1590s–1620s).

Contemporary chronicle incorporating early reports of the 1596 Cádiz expedition.

Nederland’s Patriciaat, genealogical entries for the Six family, including Jan Willem Six (1824–1909).

Documentation of family lineage and custodianship of the Six library.

 Archival and printed catalogues of the Six family library and the Six Foundation, Amsterdam.

Evidence for provenance, bookplate usage, and library dispersal.

 Contemporary Dutch pamphlet bibliographies, including the Knuttel catalogue.

Used to confirm the note “niet by Knuttel” and the pamphlet’s variant status.


Image Sources

Wikipedia

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